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Speaking In Tongues: Black Eyes 2001​-​2004

by Black Eyes

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  • Book/Magazine

    “Speaking In Tongues: Black Eyes 2001-2004” is a 44 page zine assembled by the band exploring the group’s history and the wider DC music community we operated within. It features an oral history of the band lovingly documented by Chris Richards, interviews by the band members with some of the groups we played with most frequently during our run, reflections from the artists who made the covers to the two albums, contributions from friends, archival photos and more. The zine comes with a download code for all newly-uploaded archival recordings on Bandcamp. The first copies will be sold at our shows in early April, with pre orders shipping immediately after.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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about

“Speaking In Tongues: Black Eyes 2001-2004” is a 44 page zine assembled by the band exploring the group’s history and the wider DC music community we operated within. It features an oral history of the band lovingly documented by Chris Richards, interviews by the band members with some of the groups we played with most frequently during our run, reflections from the artists who made the covers to the two albums, contributions from friends, archival photos and more. The zine comes with a download code for all newly-uploaded archival recordings on Bandcamp. The first copies will be sold at our shows in early April, with pre orders shipping immediately after.


Notes from each release:

S/T Demos

These recordings were done in preparation for our S/T album some time in the Summer of 2002. Ian had offered to work with us on a full length and wanted some demos of the songs as they stood. As you can hear, a number of these didn’t make the cut or got radically reworked (or recycled…the number of tracks with lyrics that ended up with wildly different music/songs is substantial). But it's interesting to hear how things evolved and where we were as a band such a short time before heading into the studio. Any songs that are on the S/T that weren’t recorded here were written after discussing these demos with Ian and deciding that we needed some new songs to go with the ones that made the cut. Regarding the songs with just numbers as titles: as a band we referred to our songs in chronological order while we sorted out lyrics and titles. Thus 1 was the first song, 2 the second, etc…This was how we referred to these songs and how we wrote them on our set lists. This can be seen/decoded in the liner notes of the S/T LP and on the cover of “Cough” as well. The tracks that didn’t make the cut are only known by their numbers, though we did keep a few with the numbers as the actual titles as well (Nine and Ten).

Recordings were made in Hugh’s studio in his parent’s basement and were engineered/mixed by Hugh with tape op help from Paul Jickling and Matt Vanek.


Cough Demos

This session was done in the Summer of 2003 between our first full U.S. tour and our Fall U.S./European tours. These recordings were not originally intended as demos but were made as possible recordings for a split 12” we were planning with the band Need New Body from Philadelphia. They were another percussive and strange punk-adjacent art band who we had met and connected with when we played at MacRock in Fredericksburg, VA in the Spring of 2003. For one reason or another that record didn’t end up happening and these songs turned into the bulk of “Cough,” which we recorded in January of 2004. These recordings were done in our practice space (Daniel’s parents' basement) and were engineered and mixed by Hugh. It’s hard to recall if the instrumental tracks were purposefully done as instrumentals or if they were waiting for vocal overdubs (most likely). Either way it is interesting to hear them in a different form than what they became, and closer to how we would have played them live.


Live in San Francisco 5/23/2003

This is a rough and raucous live set from just about the midway point of our first full U.S. tour. We had already been playing very regularly live throughout 2003 and were “road tight” by 2 weeks into the tour. Songs were played at ferocious tempos with almost a telekinetic tightness. Even though we were touring shortly after the release of our first album, more than half of our sets were made up of songs that would later become “Cough.” We immediately integrated any new material into our sets often as soon as it was ready to be played live. This show took place in a short-lived, cramped storefront gallery on Valencia Street in the Mission.


Live In Amsterdam 11/5/2003

This was the first show of our European tour, which started less than 2 weeks after the completion of our 7+ week North American tour. It was a live-on-the-radio recording session/show for 3VOOR12 with an interview component as well (sadly not archived). We spent our first day/evening in the Netherlands recovering from jet lag, adjusting to unheated squat life and traveling to Rotterdam to see Enon perform. This show took place the next night, when we were mostly fully recovered and ready to go and we hit the ground running with this energetic set. Also joining us on the bill that night was Cave In who was being tour managed by a former member of the DC band Scream who we chatted with about DC hardcore scene things over dinner (not sure if we asked about Dave Grohl but it would seem possible). Anyway it is nice to have such a well recorded live document of our road tightened set. Unfortunately there are a few digital glitches on the master of the recording, including one that cuts the end of Deformative short. Nonetheless, we’re happy to share this one.

credits

released April 10, 2023

Dan, Daniel, Hugh, Jacob, Mike

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Black Eyes Washington, D.C.

Black Eyes formed in August of 2001 and the band’s first full-length arrived two years later via Dischord. Their shows were chaotic and often melted down into frenzied jam sessions. A second full-length, "Cough", came out in May of 2004. The album introduced saxophone to the mix and relied more heavily on improvisational and dub influences. The band broke up shortly before the album was released. ... more

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